When it comes to vocal processing either for music or post production, engineers and producers have always needed an accessible way of augmenting their vocal tracks. iZotope’s VocalSynth ($199) is the new plugin that combines all the classic vocal sounds of the 80s and 90s. Whether you are trying to have your vocalist sound like Daft Punk, Michael Jackson, Imogen Heap, or T-Pain, or if you want to sound like an alien robot from Planet X, now you can. VocalSynth gives you the tools to do just that.
This week I challenged the team to create their own audio "Rube Goldberg" machines. If you aren't familiar with the concept, a Rube Goldberg machine is
"...a contraption, invention, device or apparatus that is deliberately over-engineered to perform a simple task in a complicated fashion, generally including a chain reaction. The expression is named after American Cartoonist and inventor Rube Goldberg"
Thanks Wikipedia! In addition to imagining and executing their sequence of events with sound, I also asked that everyone give me a visual representation to include in this post. Granted, we are all audio people for a reason. That said, I'm really impressed with all the work here BOTH audio and visual. I hope you enjoy these fantastic Boom Box Post Rube Goldberg machines!
I've been a fan of Native Instruments plugins for years. For sound design and music, I find their software hard to beat. In particular, I was a huge fan of KORE, their "sound machine" that had the a very useful FX processing mode, allowing the user to run any source sound through it's many amazing effects chains. Some of these chains, sold in bundles of 'effects packs' were extremely powerful and very intricately constructed. Many posts on my old Sounds Like Jeff blog refer to my use of KORE for original sound design. So naturally I was bummed when NI discontinued the product, I suspect to make way for MASCHINE, it's flagship product for the future.
Have you ever attempted to record a prop, only to find that a small tweak creates an entirely different sound than you were going for? Sure a creaky door sounds like a creaky door, but what else can it sound like? How about hearing something while out and about that triggers your creativity? With the right tweaks, that bird would be a super cool laser blast!
As sound professionals, our ears are always open. Creatively, these discoveries can be the most exhilarating part of the job. I challenged the team here at Boom Box Post to come up with some of their favorite 'smoke and mirror' sound design moments; creating sounds from unexpected sources.
For my money, the second I get my hands on a new synthesizer app or program, the first thing I gravitate towards is designing laser blasts and steadys. Some of the most diverse and memorable synthesized elements in TV and film are laser sounds. With that in mind, this week I challenged the team to create a distinct and original laser sound effect.
For a team challenge this week, I thought it would be fun to give everyone an onomatopoeia sound as a jumping off point for creative sound design. No rules. Just create a sound inspired by the following phrase:
Wheeeeeeeeee-Sha-BLAWNG
I asked that everyone 'show their work' and type up a few words about how they went about inventing these new sounds. Here are each designer's take and the final sound effects.
